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Gay Erotic Video Index
WARNING!
This site offers sexually explicit
adult content. Images and text contained on this site are adult in
nature, depicting sexuality that may, by some, be considered
objectionable and that may
not be viewed by anyone under the age of majority.
SWM seeks same to share elegant home in Hollywood....
Scene source:
promotional material
Action notes:
O=Oral; g=give; r=receive;
Scene 1:
Rob Cryston does voice over for a film company and leaves work to find a new roommate when editors Ted Matthews and Bo Summers take care of a little editing of their own.
Rob and Aaron Austin get it on. Then Aaron picks up the pool boy, Kirk Vallant for some fun in the sun. While watching, Rob fantasizes about him and Brian jacking off, thinking about each other.
Filled with rage the vengeful Rob seduces Brad into butt-binding blackmail with photographs he took while the two of them were having sex.
Brad was shit-faced and Rob insists on helping his out of his cloths so he can sleep it off on the couch. Brad's jockey shorts prove to be much temptation and Rob helps himself to the contents. Brad is thinking it is somebody else and revives enough to apply himself to Rob's cock and Rob takes a few polaroids of his cock being swallowed. Rob lays on the couch with his ass in the air commanding Brad to fuck him. The Rob lays back for a side fuck demanding that he be Brad's boyfriend. With Brad still pounding away the sweating Cryston covers his stomach with goobers and Brad pulls out to drop his own load
Rob is asked to leave the apartment and explodes into jealous rage and starts a fire. I guess the fire worked because then Brian and Rob get a little hot on their own.
Awards:
1993 Gay Erotic Video Awards
Best Screenplay: Josh Eliot
References:
Gay Video Guide Vol. 2 No. 2 1992 pg. 44
T.M.. "Manshots Picks: Single White Male" Manshots Vol. 5 No. 6 Aug. 1993 pg. 59 (Review/Pictures)
Note: All names credited on this website, whether for
performance or production should be considered fictional stage names.
Any resemblance to actual persons, living, dead or otherwise, is
purely coincidental.