This website requires that JavaScript be enabled in order to display
properly.
Gay Erotic Video Index
WARNING!
This site offers sexually explicit
adult content. Images and text contained on this site are adult in
nature, depicting sexuality that may, by some, be considered
objectionable and that may
not be viewed by anyone under the age of majority.
In The Mandy Goodhandy Show 13: Swiss Invasion, a Swiss ballet dancer named Marcelle first started as and anonymous audience participant, and then came back and became the first boy to orgasm in front of the audience. He was visiting Canada for three weeks, and this week is his finale. We gave him choice of one of the boys to fuck him. The show starts with Mandy introducing Skratch and his buddy B-One. To give the audience variety, Skratch and B-One do a rough and tumble wrestling match, no eroticism, just a good display of testosterone. Then Mandy brings up Devon, the 20-year-old twink with a big cock and introduces him. Then Justin appears. Then Marcelle. Then Mitch sits on the edge of the stage. Casey is also introduced. Then Justin and Marcelle do an erotic wrestling bout, in front of the audience, which includes kissing and mutual oral.
Scene 2:
After wrestling, Justin and Marcelle head upstairs. This is Marcelle's farewell fuck. It is a very erotic scene between a gay boy and a straight boy who earnestly wants to please. Lots of kissing, oral both ways, and then Justin fucks Marcelle good in a few positions. Marcelle cums with Justin fucking him from behind, standing.
Scene 3:
Eric's Solo. An extremely erotic solo shoot with Eric, a bisexual Quebec boy visiting Toronto. Eric gets hard quick, has no problem showing off his ass, and shooting his load. Mandy gets right in there with close-ups of his asshole, which is fascinating to watch, as it twitches open and shut.
Scene 4:
Skratch's Dildo. Skratch is a hot twinkish rough-ish guy who named his dildo Fred, and jerks off while fucking himself. This is Skratch's first trip into anal.
Note: All names credited on this website, whether for
performance or production should be considered fictional stage names.
Any resemblance to actual persons, living, dead or otherwise, is
purely coincidental.