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Gay Erotic Video Index
WARNING!
This site offers sexually explicit
adult content. Images and text contained on this site are adult in
nature, depicting sexuality that may, by some, be considered
objectionable and that may
not be viewed by anyone under the age of majority.
Parisian Phillippe is obsessed with a former lover named Doug, and seems only capable of experiencing sex through his delirious, popper-induced memory. In his Paris bed, Phillippe sniffs poppers, thumbs through gay magazines, and fucks himself with a dildo. He begins drinking and in his reverie sees his former lover Doug, who gives him permission to enjoy sex, but he can only climax three times or “you’ll find yourself back in your lonely bed in Paris.”
Phillippe recalls a sexual encounter with Doug in Paris. They kiss, Doug tops Phillippe and then Phillippe jerks off and Doug licks up his cum. After cumming, he wakes up in his Parisian bed alone and seems frustrated.
Sniffing poppers again, Phillippe’s mind takes him to New York’s Central Park Lake, where he finds himself in a rowboat with Peter, who reminds him of Doug. In no time, they are in Peter’s loft, where Peter fucks Phillippe and both cum.
Peter decides to show Phillippe the New York sights via a taxi cab ride. As the cab drives through the city, Phillippe sucks Peter off in the backseat. Peter cums in Phillippe’s mouth, while Phillippe jerks off his own orgasm.
On a visit to Ellis Island and the Statue of Liberty, Phillippe and Peter appear as if they find a dark corner in the tourist center, where Phillippe quickly sucks Peter to climax.
Phillippe walks alone through Chelsea and the Village, briefly walking by the old Christopher Street Piers. He ends up in an apartment building, where an ebony-skinned black stud (Alkar) and a white long-haired man (Jean Francois Tavirp) are jerking each other off in an elevator. Phillippe joins them on the ride, and watches as the black guy sucks his white lover off.
They all ride the elevator up to Peter’s top floor loft. Peter takes Phillippe outside and they climb up to the roof, where they spot two workmen repairing a water tower. One of the workmen, a mustached clone (Dave King), sucks the cock of his hairy, redheaded co-worker through the rails of the ladder leading up to the water tower, and the co-worker returns the favor.
The compilation Hunk uses only some of this footage.
Back in Peter’s loft, the black stud and his white friend randomly call a phone booth down on the street below and two hot studs pick up. They flirt on the phone and the black stud invites the pair upstairs for sex. Upon arrival, the two newcomers introduce themselves as Geoffrey and Jeremy (Geoffrey Welsch & Jerry Lassilli), then the four of them get right down to kissing and sucking each other’s cocks.
Scenes 7 and 8 have been occurring concurrently, then Peter and Phillippe and the workmen head inside the loft as well. Phillippe begins sucking Peter. The workmen climb into a swing, where the redhead sucks the mustached clone, and then the clone fucks the redhead. The black stud watches the action from the other side of the room, then he, his lover and Geoffrey start sucking each other in a daisy chain. Geoffrey’s friend Jeremy seems to have vanished completely. Eventually, they all cum, including Phillippe who is instantly transported back to his lonely Parisian bed. He desperately tries sniffing poppers to return back to the scene, but to no avail.
The compilation Hunk uses only footage of the rooftop 4-way.
We see that two of the magazines he’s been masturbating to have pictures of Peter and a Blueboy model who looks like Geoffrey, and this takes us to a hot scene in which Geoffrey fucks Peter. Back in Paris, Philippe is desperately sniffing poppers all the while and after Peter and Geoffrey cum, Philippe is magically transported back to Peter’s loft. He lays down beside Peter and Geoffrey, but his cock has a mind of its own and he cums once again (no-handed). This transports him back, once again, to his lonely Parisian bed and the film fades out.
Note: All names credited on this website, whether for
performance or production should be considered fictional stage names.
Any resemblance to actual persons, living, dead or otherwise, is
purely coincidental.