WARNING!
Distributor | Released | Length |
---|---|---|
Catalina Video | 2002 | 90 |
Description source: promotional material
BOY BAND is a spunky new Blockbuster Feature that includes a memorable music video that will have you humming for days!
Director Josh Eliot has brought together all of his trademark skills for BOY BAND including original music, in-depth storyline, non-sexual extras, sexual performances, outdoor videography, Catalina's leading men, and a fresh bunch of handsome new man-fuckers who are ready to rock and roll you over!
Sharon Kane wrote the music and lyrics for the BOY BAND music video, The Way It's Going To Be. Additionally, Sharon leads the cast of BOY BAND in the role of Nance Freeley, an outlandish music mogul who is putting together a BOY BAND "like the music industry has never heard". Sharon is right on with both performances. In fact, she is absolutely perfect and we want to acknowledge her brilliant participation in this video.
From Sharon Kane's wonderful music and performance as Nance Freeley, to the splendid videography and hot man-ramming action, BOY BAND is a superb effort from Josh Eliot, and a rightful addition to Catalina's series of Premium Blockbuster Features.
The sexual performances in BOY BAND start with Steve Rambo's car broken down and he comes across hill billy Brad McGuire. The two swap blowjobs and good, solid ass-licks. McGuire butt-bangs Rambo's leading man ass along the way.
Nance has sent Chad Hunt and Ray Harley to sign a BOY BAND member. Those two set their eyes on yummy Marco Paris and pull out the casting couch. By the time the contract is signed, Hunt has fucked both Harley and Paris, everybody sucked everybody's cock, and they all shot their man-splatter.
A four-way young-fest ensues. Hairy man-boys Chris Sullivan and Matt Ryder mix it up with Ryen Matthews and the adorable Danny Chance. Big cocks and steamy deep throat action hi-light this scene. Chris shoots his cum on Danny's cock, and then he licks it off. Matt shoots. Ryen Shoots. And Danny spews his Dan-drops all over Chris' glistening face.
In addition to being a music mogul, Nance does have a personal life, which at the moment involves the work crew at her house. Jessie Cooper, Chad Williams and Tuck Johnson are the crew and the three of them get into some hot construction guy action. By the time the job is finished, both guys have fucked Johnson, everybody sucked everybody's cock, and they all shot their man-spackle.
In an added bonus-extra scene, Steve Rambo and Kurt Wagner blow each other. Then they send their fuck juice flying all over the other guy's face.
The culmination of Nance's efforts show up in the last scene with the BOY BAND singers Devon Barry, Court Logan, Kurt Wagner and Chris Sullivan. Along with the presentation of the music video, The Way It's Going To Be, the four eager lads share in some boy-boner fun. First is the cocksucking, which ends in four juicy boy-loads. Then they start the fucking with Devon banging Kurt, and Chris drilling Court. Once again, they all shoot a jizzy boy-load.
Can you imagine if your favorite boy band were made up of porn stars? I won't mention any names specifically, but I know I have a few fantasies about some of those gyrating cuties that I wish could be worked out on video (or in person). With boys who look like the could walk down any backstreet and find themselves in a band of 20-somethings, "Boy Band" show us what it takes to put one of these bands together.
Sharon Kane, turning in a wickedly funny performance, is Nance Freeley, the hard-bitten impresario who is tossing a mongo party to introduce the world to a new boy band. She has a problem, though. There is no band. She was a little premature with the invitations. Not to worry, because Steve Rambo has been dispatched to the country to sign a supposedly wonderful singer that all rival music companies want as well. However, Steve's car has broken down and he shyly tells Sharon why he hasn't found his way to the wunderkind. Sharon flips when she hears this and tosses every pornographic epithet she can at Steve, including the destined-to-be-a-classic "piss all over you while you lie dying on a bed of nails while the ugliest 300-pound bastard I can find fucks you up the ass with his smelly rancid cock!"
Steve wanders through the woods and happens to come upon Brad McGuire, who plays a hillbilly so eerily deadpan that you begin to wonder about his family tree. No wondering about what they look like, for big-eyed shaved-headed Brad is an awesome physical presence. He takes a piss on some tires and explains to Steve that, "our daddy taught us not to be ashamed of our dicks, 'specially since they're such a good size and all." Do you think Steve Rambo needs any further invitation? He of course volunteers to dazzle it orally and sticks his mouth to it. Steve has no problem on the gigantic thick cock and balls, all strong gulps and deep-throats. Brad is a dirty-talk expert, keeping with his trashy character and keeping the scene piping hot. He face fucks Steve easily and then lets Steve eat his ass. After Steve has tongue-fucked him, Brad parks his face between Steve's big buttcheeks and has a little meal himself. Placing the cherry on top, Brad fucks Steve. Brad keeps in deep and Steve wriggles around the cock, the doggy-style fuck excellent but a tad too long. Brad drops a load right on Steve's face and then Brad pulls a fast scene-stealing moment by delivering a quick and sensational blowjob to Steve to get him to cum.
Brad informs Steve that the only person around who can help is his uncle, who is on a fishing trip, and that Steve will not only have to stay, but perform chores as well. Back in L.A., Sharon is furious because all the invitations have been sent out based on a description of the boys she gave in a magazine interview. However, her assistant is calmer, since managers Ray Harley and Chad Hunt are at that very moment signing a drummer, Marco Paris. Chad wants a piece of ass out of the deal and when the tall handsome brunet ambles into the room, who can blame him? "I don't drink or do drugs," he informs Ray and Chad, adding that he's a virgin saving himself for the right girl. Well, Chad and Ray are actually looking for a bad boy for the band, "someone who is willing to give up his ass" in order to play with the band. Marco isn't thrilled, but in a small flash, he has pried Chad's amazing cock out of his pants and is blowing it as well as most who have tried. Chad pulls Ray over to show him how it's really done and of course Ray immediately works to deep-throat it. With both guys on their knees, Chad allows them to share him, the most electric moment of which is the two of them going up and down together. Ray, in all of his sexy hairy splendor, sits and rides on Chad's cock, which actually finds Chad thrusting up non-stop into Ray with a scary slicing speed. Chad seems not to care about his dick size, and Ray doesn't complain. Marco comes around and blows Ray as he's being fucked, keeping Ray one satisfied fellow. Chad makes things easier for Ray and fucks him doggy-style. The video's single best camera shot is Chad's dick plummeting into Ray's very hairy hole. Chad and Ray are completely tireless, but after a lot of fucking, it's time for Marco to prove his worth. He has a much harder time with Chad, but after a while, once he's stretched, Chad hits him with a nice even motion that keeps things very much in line. Ray sprays a big cum-shot as Marco is being fucked and then the other two finish as well. Marco signs the paperwork, snarling "this was the first and last time either one of you will ever touch my ass! Are you clear? See you at rehearsal." (Is this how O-Town got started?)
Sharon gets to act the hell out of her next scene, receiving a fax that Steve has been beaten to the punch as a competitor has signed her boy and she falls apart after calling it her "death warrant." Her crying fit continues until a phone call tells her that there might be another boy out there perfect for the job. The call came from a house where three boys are supposed to be working, but instead pitching pennies. Chris Sullivan is a manly brown-haired dream, and he's the obvious leader of the gang that includes easy-on-the-eyes corn-fed Matt Ryder and small-eyed Ryen Matthews. Matt loses and Chris makes him pay in trade, having to slurp down his enormous cock. Matt sucks a mean cock, but Chris, who has happily left his yummy chest hair intact, wants Ryen to help him out. So, they repeat the motions of the last scene, with the two of them no match for the largeness of Chris' cock. Their pal Danny Chance comes out of the house and beats off as he watches his friends, finally joining in when Ryen grabs his dick to blow. Then, Chris takes Danny and Ryen takes Matt. Chris is as much a monster cocksucker as he is cock provider, and he dives into Danny's crotch with total abandon. Danny and Chris switch places, with the former's face dwarfed by the cock but still able to suck a whole lot of it. Matt pops off a load from Ryen's blowjob and then Chris has a loud shot that coats Danny's cock in cum. He so expertly licks it all off afterward in a very sexy moment. It's hot! Ryen and Danny follow with their cum. Now, back in the plot, it turns out Danny had been offered an audition with Sharon by her friend, who owns the house they were working on. Nefarious Chris cozies up to Danny and steals the letter of recommendation. Oh, that cad!
Sharon gets a much-needed massage as her assistant relays more bad news. The electricians working on her house have quit because the union is on strike. Sharon calls her contractor, Chad Williams, to get him to find substitutes because she's hosting the big release party there! Chad, another stupendously hairy specimen, has found scabs in Jessie Cooper and Tuck Johnson. Tuck makes a mistake and drills a circular hole where a rectangular one should have gone, causing Jessie to remark that the only thing that's good for is a glory hole, which Tuck doesn't understand. "Where did he find you?" Jessie asks. "Santa Monica Boulevard," Tuck sweetly replies. Jessie shows him exactly what it's for, letting Tuck aggressively blow him through the hole as Chad walks in. As Tuck is tearing into the cock with his whole face, Chad slithers over to help him out and the two do the third-in-a-row sharing routine. Tuck actually has a very sensual moment where he licks Chad's ear as the other blows Jessie. Chad gets to blow Jessie without the hole and Tuck takes on Chad's gigantic schlong. Chad uses a paced calm style and Tuck explodes with tons of energy, stretching real big to fit Chad in, the slurping sounds blissfully present. Tuck sits on Chad's cock, facing him so they can make out, riding up and down with total animal energy. He has a grand time riding, and Chad's bugged-out eyes seem to prove that he's enjoying it, too. Chad pulls out and cums a sloppy load before Tuck can get off. But Jessie, heretofore on the sidelines, gets his chance in Tuck, sliding in and out of his cock with all of his length so powerfully that it looks like he's trusting from five feet away. It's a totally different fuck and works as beautifully. Jessie has a good shot of his own once his work is done.
Brad's kin return, in the form of Uncle Tony Fontana and cousin Kurt Wagner. Uncle Tony refuses to drive him to town, so Steve is stuck for another night. Kurt tells Steve to snag the keys and get out of the woods or be trapped there forever, and Kurt will show him where the keys are for a blowjob. Steve blows Kurt even more easily than he did Brad, and Kurt has a grand time writhing to it. After Steve is done with all of his oral trickery on this delicious blowjob, Kurt finally cums all over his face. But, Kurt has enough in him to return the blowjob, proving himself every bit as adept as Steve. Twirling his head around the cock, he seems to really impress Steve with his lapping tongue and backless throat. Steve lets off a ripping stream of cum that settles in Kurt's hair, steals the keys and drives away, only to find Kurt hiding under a blanket in the back of the truck! As luck would have it, Kurt writes and sings his own music and Steve decides to take a chance on him.
Though we only saw the signing of two of the band members, it's time for the video itself. Sharon Kane has written one of her catchier tunes called "The Way It's Gonna Be," not sung by the boys, but lip-synched nicely (the opening credits mention the singer). Kurt is the lead singer, with back up from Chris Sullivan, Devon Barry and Court Logan. The story of the video is a break-up between Court and Devon, who gets so angry at one point he pulls a gun on Court. But, it's a boy band, so the tune is bouncy and light. The whole thing is edited with early-80s MTV in mind, all once-new technology that seems rather quaint now, replete with paint-stained T-shirt costumes and choreography courtesy of the local Wednesday night two-stepping club. The whole thing is totally endearing and a lot of fun to watch, with Kurt giving a fine performance pulling off the lead singer's duties.
In the middle of the song, however, Sharon's music is replaced with the more banal sounds of Sonic Seduction and the boys get hot and heavy having sex. Chameleon-like Court, here a brunet, nearly shaved and sporting some facial hair, looking the most like a reject from boy band try-outs. Devon is the one destined for the cover of Teen Beat, with his sexy eyes and chiseled features and body. Court has a super time blowing Devon, both of them looking rougher and more mature than usual here. Chris and Kurt swap blowjobs on each other, with Chris and his scene-stealing chest hair doing a whiz-bang job on Kurt. As Court's deep-throating gobbles on, Devon begins to take notice and finger his ass. They switch partners with Chris getting to suck Court and Devon manhandled by cutie Kurt. Court eventually cums on Chris' face and then Devon does the same to Kurt. Chris and Kurt end with big whoppers of their own. They aren't done yet, for they take it indoors for the fucking. Devon plows little Kurt very hard while Court bounces up and down on Chris. Devon is a total machine here, punishing Kurt with all he's got in the very manly angry fuck. Court and Chris, however, rattle off a chemistry that is completely unique, bouncing so hard into each other that they threaten to pop a sofa cushion. The music is the only sound heard, which means the bleating sexual noises these four have to be making are left out, but you can sense them anyway. Devon, the ace in this pack, gets Kurt to cum being fucked and then Court and Chris jizz all over each other together. Devon is the last to go. The video suddenly kicks back in with the resolution of the macabre plot it was detailing.
In the end, Sharon calls the boys to congratulate them and they all let the sexual puns fly. Apparently these guys are much more than just band mates. "I'd rather have you fucking than fighting" she tells them as she signs off. Of course, once she hangs up, she notes to her assistant that she never doubted she'd pull it off.
I hope someday the National Enquirer or Ricki Lake or someone does an exposé on one of today's favorite boy bands, turning out a true story that looks very much like "Boy Band." Wouldn't it be great if all those guys were really boffing each other backstage, using their incessant grinding rhythms for something dirtier than just clothed hip-swinging? In the meantime, we have this neatly packaged little fantasy to tide us over. With high production values and a goofy take on life, "Boy Band" is as much fun sexually as it is plot-wise. It's rather heavy use of group scenes with the same formula can get a little tiring, but since the men handling the sex are all so wonderful, nothing feel repetitive or boring. And with the band newly formed, can we have more videos that track them going on a world tour, or having to sign up a new member, or breaking up with Britney ... oh, never mind that last one.
A Video Review by Brent Blue
Josh Eliot's Boy Band offers what you expect from the title: A plot that follows the making of a boy band, with plenty of sexual shenanigans along the way. But it's not just the smooth twinks you might expect - there's a real mix of men here, and some of them are more manly than boyish. The inimitable Sharon Kane guest stars as Nance Freeley, an over-the-top recording executive who sends her talent scouts out to sign the best boy talent to contracts with her company.
When scout Steve Rambo, on a trip to sign a lead singer, has car trouble in Yosemite National Park, "50 miles from Jasperville," he wanders down the road and comes across a backwoods homestead, complete with a Deliverance-style hillbilly homeboy, Brad McGuire. McGuire can't give him a ride into town until his uncle returns from a fishing trip, and when Rambo watches him whip out his uncut cock from his coveralls to relieve himself behind a tree, he gets mighty hungry. McGuire is in rare form here, getting verbal and nasty as Rambo goes down on that hooded shaft for a mostly hands-free blow. Stripping down to their boots, the two exchange rim jobs before Brad bends Steve over a tool bench and slams it all the way in. McGuire does a fine job acting the part and keeps up the verbal abuse throughout this extended scene.
Kane, frantic because her invitations have gone out for her new boy band to play at a debut party in five days, gets news that two of her other agents, Chad Hunt and Ray Harley, are out on the road to sign the drummer for the band, smooth, muscular Marco Paris. Even though they're ready to sign Paris, Chad and Ray want to have some fun, so they tell Marco that to get the job he needs to be a "bad boy" who's willing to give it up for a spot in the band. Reluctantly, Paris tries to take Hunt's massive schlong in his mouth but barely gets half of it. To the rescue comes Harley, who's able to take almost all of it. The pair share Hunt's meat for a while, until Harley decides he wants it somewhere else. Great camera shots show Marco getting a mouthful of Ray while Ray rides Chad. Before they get the drummer's signature, both Ray and Marco get a chance to take it from both ends.
There's still no lead singer, but the contractors working on Kane's house in preparation for the party have some ideas in the guys who work for them. First, we find hairy Chris Sullivan, with his devilish smile, seducing Matt Ryder and Ryen Matthews, who share Chris's beautiful cock before they are joined by Danny Chance. The four pair off, with Ryen on Danny and Matt on Chris, then Chris on Danny and Ryen on Matt. Among the money shots, this scene is noteworthy when Chris shoots his wad onto Danny's cock, then hungrily licks it up. As they part ways, Chris lifts Danny's invitation for an audition for the band.
We are then treated to another hot construction site scene, with handsome Chad Williams supervising Jessie Cooper and sweet but ignorant Tuck Johnson, who instead of cutting a square into the wall for an electrical box cuts a round hole. Jessie shows him what a glory hole is good for, then Chad joins them - for the third time, we get two guys going down on another. After Tuck rides Chad while facing him, Jessie takes his turn, giving Tuck his full cock from behind.
When McGuire's uncle finally returns from his fishing trip, Rambo can't persuade him to give him a ride into town. But he meets slim Kurt Wagner, who will tell him where to find the keys for a quick exchange of blowjobs. After the two splash on each other's faces, Rambo rescues Wagner from his backwoods captors and signs him as the lead singer for Kane's boy band.
What follows is an innovative rarity in gay porn. The last scene takes the shape of Boy Band 's new music video, The Way It's Gonna Be , with words and music by Kane (the tune is sung by Ryan Hamilton, but nicely lip-synched in the video by the boys in the band). When is the last time you saw an original music video in a flick like this? Wagner and Sullivan are joined in the band by sexy Devon Berry and Court Logan. In addition to the music and synchronized choreography, the clip includes a double suck, followed by the group moving indoors for a double fuck, with Court riding Chris on the sofa while Devon bends Kurt over the arm.
If this is how those boy bands got formed, maybe we can look forward to a future Behind the Music episode like this one! Eliot gives us six solid scenes of competent action, but few stand out like the first one with McGuire. Eliot and Kane get extra credit for the coherent plot and innovative use of the music video. If you like a story with your action, you'll enjoy this new release.
- Lance Powers