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Gay Erotic Video Index
WARNING!
This site offers sexually explicit
adult content. Images and text contained on this site are adult in
nature, depicting sexuality that may, by some, be considered
objectionable and that may
not be viewed by anyone under the age of majority.
On a sandy bank by the river, an unidentified soldier-- Marcos Vinicios? (average build, close-cut black hair)-taking a sunbath, is approached by native Beto Ribeiro (long black hair); Marcos sucks Beto; Beto tops Marcos on his knees on a greenish towel.
In the corral, Igor Ximenes (front cover model; cord around his neck; frosted highlights in his hair) sucks Alysson Pantera from scene 1; Alysson tops Igor leaning on the fence and lying on the ground.
On a wide lawn, with a low red house in the distance, on a small cushiony faded pink and white couch,
Amauri Oliveira (red apron, white t-shirt, blue jeans) brings a drink to Marcio Rosa (black t-shirt, white pants, stubble, big silver right wristwatch); Amauri sucks Marcio; Marcio tops Amauri standing and bending over, then in missionary position on the couch, then on his knees; finally Amauri sits on Marcio.
Platoon leader Reynaldo Costa (tall, black tattoo covering upper left arm) takes one of his soldiers (pale, average build, dark hair, tattoo inside left biceps-Marcos Vinicios?) off to a muddy spot near a low waterfall; the soldier sucks Reynaldo; Reynaldo tops him on his knees and in missionary position.
Beside a red pickup truck, close to a corral, Denis Marques (young, billowy wavy brown hair, narrow band of tattooing on upper left arm, check shirt) sucks Marcelo Cabral (beefy, middle aged, wide band of tattooing on upper left arm, white t-shirt, black cowboy hat); Denis rides on Marcelo on the bed of the truck next to a tire; Marcelo tops Denis from behind on his knees.
Close to the beach, on a cable spool used as a table, yellow soccer ball in background: Walter Araujo sucks and is topped by Tiago Lemos (tattoos on right shoulder).
Note: All names credited on this website, whether for
performance or production should be considered fictional stage names.
Any resemblance to actual persons, living, dead or otherwise, is
purely coincidental.