![]() | Gay Erotic Video Index | |
This site offers sexually explicit gay male adult content. Images and text contained on this site are adult in nature, depicting male homosexuality that may, by some, be considered objectionable and that may not be viewed by anyone under the age of majority. | ||
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A cowboy-drag loop. Will, on his way to the ranch in his car, meets John on his horse. They trade blow jobs and then Will points his boots skyward to let John probe his ass. John departs and Peter, the ranch owner finds Will. The two suck each other and then Will bends John or a bolder and shoves his rock hard dick in John's hole. Promo: The rugged Arizona terrain where Ramrod #2 was shot serves as the location for this Western epic. In Part One, Will Seagers drops in on a local stable where stablehand Peter Bolt gladly fixes him up with a horse, and with a few hard stares as well. After a bracing gallop, Will is scrambling over the desert when he comes upon camper John Colby, and they proceed to get intimately acquainted. ------ The Informant: Here's a superior piece for Western fans, filmed in the wide open spaces of the Arizona desert. Beautiful - scenery and action. Part I is both oral and anal. with handsome Will Seagers and hunky John Colby. Seagers is riding a horse through the desert and happens upon camper Colby. They hit it off and with little to say, get down to the action we all came to see, wearing only cowboy boots and Colby in his hat (which, says Jerry, makes them look even more naked). The action is fairly reciprocal, though Seagers is the passive of the two. All models are cut and well-endowed. An excellent film. |
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"Green Light Review" The Informant Apr. 1978 pg. 5 (Review) Target. "Noonday Cowboys: Buckaroos Unbuckling" Honcho Vol. 1 No. 1 Apr. 1978 pg. 48 (Pictures) Target. Honcho Vol. 1 No. 2 Jun. 1978 pg. 56 (Advertisement) Target. "Ramrodders" Mandate Vol. 4 No. 40 Aug. 1978 pg. 14 (Pictures) |
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Note: All names credited on this website, whether for performance or production should be considered fictional stage names. Any resemblance to actual persons, living, dead or otherwise, is purely coincidental. | |||||||||||||||||||||||||
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