References:
"I Am a Camera" Data-Boy No. 86 Feb. 13, 1974 pg. 23-SF (Review)
Charles Anson. "Bijou" Gay Movie Guide Jul. 1974 pg. 19 (Review)
Siebenand, Paul. The Beginnings of Gay Cinema in Los Angeles: The Industry and the Audience. Los Angles, CA: USC, 1975 pg. 270,272,273
Bob Kiggins. "Wakefield Pool Mellows" In Touch No. 24 Jul.-Aug. 1976 pg. 40 (Index)
"Team's Current Offerings" Market Reports Newsletter Vol. 4 No. 5-6 Aug. 5, 1976 pg. 8 (Notes)
Michael Llewellyn. "Homosex in the Cinema" Mandate Vol. 2 No. 22 Feb. 1977 pg. 33 (Essay)
Jack Fritscher. "Dirty Poole" Drummer Vol. 4 No. 27 1978 pg. 14 (Index)
"Wakefield Poole's Bijou" Skin Vol. 2 No. 1 1980 pg. 21 (Pictures)
"The All-Male Film part 2" Stallion Vol. 1 No. 3 Jun. 1982 pg. 24 (Essay)
Doug Richards. "The Size Fixation" Manshots Vol. 1 No. 6 Jun. 1989 pg. 18 (Essay)
"Final Focus" Gay Video Guide Vol. 1 No. 3 1991 pg. 97 (Obituary)
"Scatter Shots" Manshots Vol. 4 No. 5 Jun. 1992 pg. 4 (Letters)
"Fade Out" Manshots Vol. 4 No. 5 Jun. 1992 pg. 82 (Obituary)
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