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Gay Erotic Video Index
WARNING!
This site offers sexually explicit
adult content. Images and text contained on this site are adult in
nature, depicting sexuality that may, by some, be considered
objectionable and that may
not be viewed by anyone under the age of majority.
Against a white wall, in front of a large empty ornate picture frame between a white stone statue of a mermaid and the torso of a dressmaker’s dummy, in a low black chair on a shaggy white throw rug, Brett Williams (black tank-top with horizontal white stripe, buzz-cut short bristly dark hair, round black tattoo on right deltoid, tan lines) sits in the lap of York Powers (pale, black tank-top, shaggy black hair, black neck string, two left hoop earrings) while an unnamed cameraman in a dark green t-shirt and glasses records; Brett kneels and sucks York who is sitting; Brett bends over the chair and York rims him; York tops Brett from behind on his knees, then standing, as Brett bends over the chair.
In a corner between white walls, on a black double bed with black pillows, no headboard, Johnny Thrust (slim, muscular, short brown hair parted in the middle, big tattoos on both upper arms and left chest) and Seth Black (average soft build, red tan, short black hair parted in the middle, small tattoo on left deltoid) talk to the unnamed cameraman in white t-shirt and glasses; after time in the bathroom together, they go to the living room and sit on a green couch with high arms, Johnny in dark gray tank-top and blue jeans, Seth in black t-shirt and white pants for more talk from the cameraman; they kiss; Seth bends sideways and sucks; Johnny rims Seth sprawled over his lap; Seth sits on Johnny backwards, facing the cameraman; Seth kneels on the shaggy white rug and sucks Johnny sitting on the couch; Johnny tops Seth in missionary position on the couch; Johnny j.o.’s on Seth’s midsection; Seth j.o.’s.
Note: All names credited on this website, whether for
performance or production should be considered fictional stage names.
Any resemblance to actual persons, living, dead or otherwise, is
purely coincidental.