This website requires that JavaScript be enabled in order to display
properly.
Gay Erotic Video Index
WARNING!
This site offers sexually explicit
adult content. Images and text contained on this site are adult in
nature, depicting sexuality that may, by some, be considered
objectionable and that may
not be viewed by anyone under the age of majority.
In a kitchen with white walls and white counter tops, a white tile floor, black cabinets, a small green fan in the corner, a steel sink, and a framed blue glass picture of a silver eighth note, Koby Bird (light brown, young, slim, muscular) sucks Big Boss (dark brown, older, script tattoos on both sides of chest); Big Boss tops Koby bending over.
In a wood-panelled kitchen alcove in a camper, at a built-in bench and wooden table, Angel Boy (light brown, white tank-top, shaved head, tattoo on right deltoid) sucks Koby Bird (dark brown, blue t-shirt with horizontal white stripe); Koby tops Angel Boy in missionary position on the table, then from behind bending over the table.
In a yellow living room with vertical venetian blinds framed by black curtains, black furniture, and a tall lamp with a large fringed red shade, Little Blundt (shorter, smaller) sucks Koby Bird (taller, bigger muscles); Koby tops Little Blundt bending over; Little Blundt sits on Koby on a black couch without arms.
In front of a white wall, on a long white massage table, Mice Man (white baseball cap, glasses, green boxers, very small tattoo in center of right shoulder blade) massages and sucks Koby Bird; Mice Man tops Koby in missionary position.
In a beige motel room with twin beds with low square brown wood headboards, up against a wall with an air conditioner high up, covered mostly by greenish drapes, Raydon (small, chubby, backwards baseball cap, blue shirt, left wristwatch, right bracelet) sucks Koby Bird (slim, muscular, green gray briefs); Koby sucks Raydon; Koby tops Raydon from behind on his knees on the bed, then sideways; they j.o. side by side..
Note: All names credited on this website, whether for
performance or production should be considered fictional stage names.
Any resemblance to actual persons, living, dead or otherwise, is
purely coincidental.