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Gay Erotic Video Index
WARNING!
This site offers sexually explicit
adult content. Images and text contained on this site are adult in
nature, depicting sexuality that may, by some, be considered
objectionable and that may
not be viewed by anyone under the age of majority.
In a sequel to Johnny Harden and the Champs, Sky Dawson is out on the water again and he still can't keep his hands to himself. He and Dick Fisk suck and rim each other with zeal until Sky throws his legs in the air and Dick takes the plunge. Dick puts his dick in Sky's mouth and then Sky turns it around and comes onto Dick's open face.
Craig Ryan hails Al Parker's taxi and Craig ends up taking Al for a ride. They stop along the rode and suck each other. Then Craig ends on his back with Al helping him put his dick in his own hole. Al accompanies Craig into the dark and gives it what for. Pulling out into the light, Al cums onto Craig's face and then licks the juice off Craig's expended hose.
Bill Adams is driving along minding his own erection when Vince Clark signals for a ride by grabbing his basket. They suck each other and then Vince leans on the car with his ass out for Bill to take. They cum on each other and the car.
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[See picture magazine Hard Riders.]
[See picture magazine Buckeroo No. 1.]
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Service Sales puts Joe Markum in this loop incorrectly.
Tony Roberts comes to Will Seagers for an interview and gets a lot more. Will shows his own prick and then slurps on Tony's. Tony returns the favor and they 69. Will gives an in depth interview to Tony's ass on the desk and on the couch. Will creams Tony's face and Tony gets to lick the frosting off.
With nothing to do but wait, chauffeur Tom Hartung pulls out his own impressive drive shaft and takes it for a spin accompanied by the reflection on the Rolls.
See picture magazine Buckeroos 2
References:
John W. Rowberry. Gay Video: A Guide to Erotica. : Mark-One, 1986 pg. 47
Note: All names credited on this website, whether for
performance or production should be considered fictional stage names.
Any resemblance to actual persons, living, dead or otherwise, is
purely coincidental.