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Gay Erotic Video Index
WARNING!
This site offers sexually explicit
adult content. Images and text contained on this site are adult in
nature, depicting sexuality that may, by some, be considered
objectionable and that may
not be viewed by anyone under the age of majority.
In the back yard on a patio with lawn, palm trees, and big hills in the distance, Steve Kanin (red speedo, long floppy brown hair parted in the middle, black t-shirt) sits in a white chair and talks to the cameraman; inside the entry of the house, against a white door, on a white tile floor, now in white trousers, he strips and jacks; using a flesh-colored dildo, he j.o.’s.
Indoors, in white rooms, first in the laundry nook, then on a white double bed and on a gray-striped white couch, Jeremy (tall, skinny, longish dark blond hair, white socks) j.o.’s.
Reviews:
From
GayVideoDad
It is not the policy of "Behind Closed Doors" to review XXX videos that rate less than one star in quality, but I've received permission from "BCD" editor Big Daddy Ferguson to make an exception in the case of Horse Dicks.
We're doing this for one reason; rising star Tony Donovan appears in one of four solo J.O. vignettes (his was filmed nearly two years ago), and, as a result, his fans may be tempted to rent or buy this truly awful video, so terrible in content and execution that its distributors ought to be embarrassed to have its name attached. Another of the featured solo performers is very cute, but he's obviously so uncomfortable that it is difficult to watch. Further, the director's instructions to the model remain on the audiotrack. How is that supposed to be at all erotic? Shameful. Two of the alleged nine- to ten-inch horse dicks are more likely seven or eight inches, and the camerawork is often blurry and out of focus. I could go on. Horse Dicks is an embarrassment and should be avoided at all costs. I have no idea how L.A. Heat expects to build customer loyalty by releasing product like this.
- J.C. Adams
Note: All names credited on this website, whether for
performance or production should be considered fictional stage names.
Any resemblance to actual persons, living, dead or otherwise, is
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