WARNING!
Josh Rubens
Misha Vandam
Distributor | Released | Length |
---|---|---|
FreshSX | 2005 | 120 |
Description source: promotional material
Filled with class and cum, The Second Cummin introduces blonde haired, blue eyed, big square shouldered and barrel chested superstud Josh Rubens, along with horse hung Misha Vandam. 13 hot and hung studs abound in this tale of sex and lust.
Hot stud Christopher James gets to fuck muscle bottom Nicholas Klein. These two gangsters are not here to blow each others brains out with guns! They have mouths and dicks to do that!
'Breakfast in Bed' is a romantic tale with Jack & James. After a shower and some hot oral action Jack really needs to feel that massive cock of James' to be truly feel satisfied.
In 'The Wet Patch' Rivelli is working in a bar and Misha gets a bit drunk and fantasises about fucking Rivelli.
Igor Lucas and Josh Ford have an intimate candlelit dinner. After too much champagne Josh has better ideas of what to do with his bow tie and that's where this scenes goes into bondage!
With James Connor and Allan Farmer where James gets seduced by his model! And this is also the only scene ever shot where James Connor acts as hot bottom guy!
Anton gets picked up on the riverside by Kirk while he is book hunting and gets taken back to his room where they kiss, suck and fuck like mad under the backdrop of St. Paul's Cathedral.
Josh Ford gets fucked deep and hard by Allan Farmer at the urinals of the local swimming baths. They then meet Jasper in the showers for a threesome.
I like sex without pretense, which is exactly what has been captured in U.K. import "The Second Cummin'." You needn't worry that you missed a "First Cummin'" somewhere along the way. After scouring through the entire film, I can't quite figure out why they went with such an un-erotic reference to Christ when naming their film. I can tell you that I liked the two men featured so prominently on the cover, one with shaggy curls peering slyly over the shoulder of his blue-eyed buddy. It took me some time to find their segment, mixed in among the half dozen or so vignettes, each with its own title. First up, "Crime of Passion."
By the time we join the action, trouble has already been brewing. Calling to mind every mediocre 1930s detective drama ever made, two gents collide in a dark alleyway, one exacting his revenge on the other, stopping only to light a cigarette beforehand. It's at this point that this film noir morphs into something a little strange, underscored with some greasy wanh-wanh guitar licks straight out of a 1970s era porn flick. At first, the men are concealed in considerable shadow, but when the clothing is finally tossed aside and the sex gets more intense, the lighting thankfully improves. The blond, Christopher James, and his partner in crime, the long-haired Nicholas Klein, both reveal nice physiques when they've finally discarded their linen trousers and leather spats before fucking. Nicholas is particularly appealing, pumped up and stocky. While Christopher crunches his abs to gaze between his thighs, Nick makes a hearty feast of his sleek prick and shaved hole. Nick's butthole is even prettier and more closely shaved than Chris'. Or maybe his hole comes off as more fuckable because it's perfectly centered between two slabs of ass muscle. Nick immediately picks up his partner's rhythm; rocking in such a way that even his long hair is in motion, brushing back and forth against his cheek. In the end, lovely Nick squeezes his eyes shut, clamps his jaw and gives his maximum effort to getting off. Christopher, already having blown his spunk up Nick's broad back, flicks his tongue against one nipple to help Nick along.
In the next scene, we find out that not only is the mullet alive and kicking, but as it's modeled by Jack Jefferson, the mullet is a mere baseline for personal expression. Jack has taken the mullet to new heights of creativity, so much so that at times it's difficult to focus on anything other than his hair. His partner in the "Breakfast in Bed" vignette, James Connor, certainly finds the style clever and endearing. The lovers start their day in the shower, kissing and stroking. Their builds are much like Christopher James' in the previous scene -- lean, ripped, and not overly muscular. As the camera pans down the lengths of their soapy torsos, we first catch sight of James' dick, the head of which is poking a good inch or two above Jack's hip joint. It's beyond big, really. James and Jack to make it to the bed, their damp white towels still knotted about their waists. As they're kissing, there's a good deal of groping going on, each one working over different areas of his partner's body. The towels slip aside, and they jack one another off, Jack working James' monstrosity with one fist, pumping it into even bigger proportions. James sits his small ass directly on the headboard, and while Jack sucks he puts James' dick clearly on display for the camera. For these men, the fun is in the foreplay. They spend several long minutes just kissing, rubbing and touching. At one point, Jack lifts one leg and James slides the length of his cock along the underside of Jack's sweaty balls. This is Jack's signal to lube up good and prepare for the assault. James fucks like a lover, this thrusts slow and thoughtful. The most interesting position they find themselves in brings the headboard back into the action and provides spectacular views of Jack's hairdo from the back. Their orgasms are as sweet as their lovemaking.
"Wet Patch" is a cute change of direction. This one reminded me of another old vintage porn clip where a waiter fucks his customer in the middle of a crowded dining room, where not a single patron bats an eye or interrupts their meal to take notice. Here, the venue is a dinner party in full swing where an exotic black beauty, Rivelli Pharelli, serves drinks to the guests, and in particular, a bored Misha Vandam. When Rivelli moves to the center of the room and starts a sensual striptease, no one but Misha stops their party chitchat long enough to watch. Rivelli's show spins into tight focus as he moves over to the couch. There, a glossy-eyed Misha becomes a captive audience of one. Rivelli uncovers a dancer's body, lithe and tight. He encourages Misha to undress also, until both are completely nude. The other partygoers remain engrossed in their personal conversations as Misha and Rivelli swap blowjobs. Misha's his prick is comparable to James Conner's, but perhaps it's the angle of Misha's cock as it sails away from his hips that makes this cock even more appealing. The pair of men don't hold back, especially when it comes to rimming. Rivelli's tongue is wet and pink darting from between his smoky lips and tickling his buddy's asshole. He's got the flutter motion down pat, and Misha looks like he's about to go into orbit. They fuck on one arm of the cramped settee, Rivelli topping Misha mere inches away from two guys pleasantly discussing stocks or wine. Conversation goes unabated as Rivelli scoots down to accept Misha's facial. However, at the close of the clever scene, the strangers sitting next to Misha catch sight of the half dollar-sized wet spot quickly blooming on the front of Misha's trousers, his daydream coming to an explosive, albeit messy, end.
Pop the champagne. "Black Tie" puts the writer and director, bald-headed Igor Lucas, firmly in front of the camera lens and sharing focus with the equally bald Josh Ford. In any other setting, these two, with their shaved skulls and pierced ears, might be mistaken for gay skinheads. But dressed in tuxedos, danger gives way to elegance. Seated in a secluded corner of some restaurant, Igor pushes his dessert plate to the side, blowing off cake -- something I myself would never do. He's got a sweet tooth, and cake just isn't cutting it. Scooting back from the table and pulling out his prick, he invites his dining partner Josh to come and sample. After some heated kissing, Josh drops to his knees and uses a discarded black tie as an impromptu cockring, adjusting and readjusting the tightness around Igor's prick while he gives head. Josh eventually frees his own dick from his tuxedo pants, showing off a shiny Prince Albert, which Igor promptly gives a few polite tugs. Some rope magically appears, and Igor sensually binds his lover's wrists, incapacitating him long enough for a thorough rimming. Dinner paraphernalia is pushed to the side to give Igor complete access to Josh's ass. When they switch positions, Josh's hands and wrists are freed, enabling him to become a more active bottom boy. And with his hands unencumbered, he's able to jerk himself directly into Igor's open mouth. Now that's dessert!
"Picture Perfect" has a photographer, James Connor, getting caught up in his work. His subject is a bright-eyed and toothpick-thin post-twink, Allen Farmer. James is doing some test shots and can only withstand so much blatant flirtation, his man batting his eyes and toothily grinning at every opportunity. As the photographs get more intimate, James is just looking for an excuse to put the digital camera away and see what Allen is packing. Allen slips out of his cotton bikini underwear and hauls out another whopper, which James quickly devours. The tables are turned when it's the man's turn to suck cock, his own dick being just a few centimeters shy of James'. The most thrilling moments in this short segment have to be those showcasing a frenzied 69, both guys trying to out-cram the other. Both James and his partner also skillfully demonstrate their anal versatility, each in turn getting fucked by the other's huge tool.
Cruising London's book stalls, a dopey-looking Anton Dickson manages to catch the eye of Kirk Miller. "Books in the City" documents their mid-afternoon encounter, the pair abandoning their respective searches for good reading material, opting instead for a spontaneous trick. Back at Anton's pad, they're slipping out of their duds as soon as they're inside the door, kissing while sensually undressing one another. Both have chosen well; Kirk has an excellent body, muscular and tall and Anton is blessed with yet another large endowment. Kirk wastes no time, dropping to his knees and making the most of his good fortune. As it so happens, Anton's flat has a sunny balcony with bright views of the Thames. They take their tryst outside for a few short minutes, masturbating and rimming in full view of the passing barges. Kirk pulls Anton back inside, the taste of ass still in full bloom inside his mouth. He puts Anton on his back, rimming his hole until both are close to sensory overload. Poor Anton can't keep his eyeballs from comically rolling back into his head, throwing cold water onto much of the remaining action. Perhaps this is why the director has Anton facing away from the camera while he's being fucked. Kirk does put his partner through the paces, bending him in half while dicking him, so much so that Anton is able to shoot his own load into his mouth, mere millimeters below.
The final scene, "Wash Me Clean," brings together Allen Farmer and Josh Ford in a gym setting. Still in their Speedos and dripping water from their pool workouts, Allen and Ford cruise each other at the urinal. And once Josh catches sight of Allen's ample meat, he's all over it, sucking dick in a very public place. Without bothering to check out Josh's Prince Albert, Allen spins his buddy around and dives into his ass, licking hole with urinal stench wafting up between them. Josh's twitching pucker is an invitation for Allen to suit up and plunge in deep, leaving a horny Josh to grip the urinal's steel pipes for support. For me, the scene became infinitely more arousing when Allen abruptly abandons Josh and heads to the shower stall, where an understated, handsome Jasper Emerald is enjoying the spray. The setting at this point more closely resembles a bathhouse than a gym. I mean, how many gyms do you know where there's a wall to wall mirror in the shower? When Allen sidles up besides Jasper, he can't help aggressively putting his hand directly between the cheeks of Jasper's ass, rudely fingering the stranger. Jasper spies Allen's cock, still erect from fucking Josh, and thankfully responds. Josh reappears, turning this into a three-way. Inviting himself to the party, Josh squats down and sucks both Jasper and Allen. But Jasper is unable to resist Allen's gorgeous monstrosity and squats down as well to double-team Allen's prick. It's at this point that we find out just how big a dick whore Josh really is; he's penetrated by both men at the same time, and seems to be in hog heaven. But for me, watching Jasper get fucked was the best anal action throughout, probably because of his on-screen persona. He is a good-looking, in-shape Average Joe with a great smile, the type of guy that I tend to gravitate to when in a bathhouse like this one. He also eats cum, brazenly looking directly into the camera as Josh unloads onto his tongue.
DVD features: Chapters; scene highlights (some of the hottest snapshots in the entire film -- strangely, the men that I so admired on the cover, Josh Rubens and Misha Vandam, don't ever appear together in a scene, and Josh never appears at all, it's difficult to tell, but it seems as though snippets from a scene featuring them together are shown, but only the producers could say for sure); and playable worldwide (no regional coding).
A DVD Review by Rick Forrent