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Gay Erotic Video Index
WARNING!
This site offers sexually explicit
adult content. Images and text contained on this site are adult in
nature, depicting sexuality that may, by some, be considered
objectionable and that may
not be viewed by anyone under the age of majority.
In a beige room with two white curtains and a black tassel hanging in front of each, with a tall brown wood bookcase lined with porcelain statuettes, next to a sort of vaulting horse, on soft brown leather furniture with a big red cushion with white polka dots, Alan Williams (black briefs, tattoo band around upper left arm, blue dolphin on left groin) brandishes a blue flogging tool as Bruno Stigmata sucks him; then Alan sucks and rims Bruno Stigmata (messy hair, blue briefs, greenish tattoo of dolphins on right groin); Bruno tops Alan on the couch.
On the ground under the trees, Alex (tattoo on inner upper right arm) sucks and rims Guy (big winding tattoo on upper left arm, red wristband); Guy tops Alex.
In a room with gray blue walls and a red and blue abstract painting with a silvery oval in the center, on a bed with a green cover and a low curved slate-colored headboard, Mauricio Ferrari (white, slim, left eyebrow piercing, left earring) sucks Flavio Monteiro (slim, black, right earring, big phoenix or gryphon tattoo on right side, other tattoos on left shoulder); Flavio rims and tops Mauricio.
On a brown bed with black and brown pillows, with an openwork iron headboard with a scrolling vine, against dark red drapes, Patrick Ryder (very white, long curly blond hair, tattoos on right upper arm, right shoulder blade, and lower back and both hips, face tattoo on left upper arm, orange socks, with spots) sucks Slim (tall, skinny, very light, braids, black baseball cap, large teardrop-shaped tattoo on upper right arm, scattered letters tattooed on upper left arm, black socks); Slim tops Patrick in several positions.
Note: All names credited on this website, whether for
performance or production should be considered fictional stage names.
Any resemblance to actual persons, living, dead or otherwise, is
purely coincidental.