WARNING!
Pierre LaBranche
Luc Cote
Lucien Fortier
Philip Bradley
Distributor | Released | Length |
---|---|---|
Twisted Video | 1993 | 90 |
Kristen Bjorn Video | ? | 90 |
Description source: promotional material
An incredible sexcapade to montreal's rough and wild underworld, where hot French Canadian men roam the dark, narrow streets insearch of pleasure and adventure.
The second and (sigh) finale of Kristen Bjorn's Canadian escapades is both an abrupt change of scenery as well as approach to sex. Whereas "Call of the Wild" featured virile men in an outdoorsy setting in the woods of Québec, this chapter takes place among the rough gay crowd of Montréal. Well, rough is really a euphemism for street-wise, and it's nice to see that three of the models from the first flick were able to transfer their sexual appetites to a different mode in this flick.
"Montréal Men" takes a look at what happens in typical day in Montréal -- ha, ha. All the men who appear on the street do so either shirtless, or with shirts wide open, including Lucien Fortier, who opens the flick cruising the streets with his friend, the exotic Pierre LaBranche. Lucien is a tall, slender hunk who sucked all his cousins in the final scene in "Call of the Wild." Pierre is a hot-bodied cocoa-skinned swaggerer whose cock seems to be anxious to leave his jeans at an instant (he was Bjorn's production assistant on this film and then went on to be a major star as Rod Majors).
Up pulls the handsome yuppie Luc Cote in a flashy car, but he accidentally drops the keys while he runs an errand. Naturally, Lucien and Pierre hop in, but notice that there's an envelope on the dashboard -- obviously addressed to the car's owner. They take off to rob Luc's apartment. And some digs he has, a penthouse overlooking most of Canada. They start to move through the rooms, but Pierre can't keep his hands off Lucien, and soon the latter is on his knees feasting on a big, very fat, uncut cock.
Meanwhile, Luc, has made a mad dash back to his apartment, walks in on the hot burglars, and drops his jaw. No matter -- it's quickly filled (somewhat reluctantly by Luc at first) with two large cocks. Handsome in a Gallic movie-star way, Luc soon warms to the task and gets some reciprocation as Lucien finds that Luc's meat is big and delectable as well. Before long, Luc has brought both crooks off with his sucking and licking as both of them kiss above him. Then Luc sits on Pierre's massive meat and hops like a bunny while eating Lucien's pecker until he spills his own seed from a very straight, perfectly built honker. As usual in a Bjorn flick, things are just starting and we next see Luc having his ass filled doggy-style by Pierre as he sucks Lucien's tan-line highlighted rod while spread on a white couch in the bay window overlooking the city. Pierre spills his seed on Luc's asscrack, and then joins Lucien in a feast of Luc's pretty pecker, bringing him off once again before the trio moves to another part of the room. There, Luc sits on the floor and takes Lucien's cock straight down his throat as Pierre plugs Lucien doggy. They move to a table where Lucien is on his back, Pierre stands, and Luc rims Lucien and sucks Pierre in alternate moves. Then Pierre shoves his cock back up Lucien's tight ass as Luc covers the fuckee with kisses. Needing more room, they move into the bedroom, where Luc gets on his knees and gives a blowjob to Pierre as Lucien humps his pal from behind then drops to rim his beautiful butt. The three-way continues until Pierre cums on Lucien's chest and the latter dumps a monster load all over Luck's pretty face -- then bends down and licks it and tongue's his captive's face and mouth as the scene fades.
Next we see Phillipe Bradley, whose first name has been Francophiled from Phil -- the popular American porn star of the early-90s is dressed in leather jacket and jeans, ambling through the back alleys when he passes an older couple of hot leather men -- Jean-Pierre DuMont and Gerard Bruneau. Jean-Pierre's black shaggy hair makes him a perfect opposite of the blond, closely-cropped Gerard -- and the two pursue Phil to a warehouse where they pull out their cocks and seduce the very willing young American. Phil gets on his knees and gives Gerard head while Jean-Pierre is sampling Phil's lovely cock -- all three have thick, veiny tools and tight, strong bodies. Their sex is relaxed and strong, with Phil bringing both off on his knees, two cocks between him, no hands, Ma! Then the two predators take charge of their prey, sucking his cock lovingly as they bring him off to a stunning climax. Bradley then fucks Jean-Pierre doggy as the latter sucks on his boyfriend, and the three move to a metal staircase to finish off the encounter with mutual cocksucking and nasty spurting.
Back on the streets, two obvious, shirtless hustlers, Michel d'Amours and Andre Silva, are approached by a chauffeur, Eric Perot, and they agree to go with him -- blindfolded -- to the penthouse of Abdul Hajjouri, a truly exotic wonder who looks them over, and spreads hundred dollar bills on his body, inviting the boys to earn their keep, under the watchful eye, and growing cock, of chauffeur Eric, who plays his part of Abdul's street thug lover very well. He joins the hustlers as they worship his boss, and then bends over for Abdul's cock as Andre poles Michel right next to them. The four move to the bedroom for some more mutual satisfaction, with Eric and Michel remaining bottoms, but the tops switching their docking stations. Beautifully edited, this scene is scored with Middle Eastern melodies, and has, oddly, very little sexual spark -- except, ironically, when Eric and Michel are kissing as they are being fucked doggy on opposite sides of the bed. The scene ends in a four-way daisy-chain on the bed, with cum flying all over.
Phil Bradley is back, this time in a black tank top and jeans, when up pulls a motorcycle rider, Dominique Casier, the dark-haired beauty who led off "Call of the Wild" as the lumberjack who was the top in that memorable opening scene. Bradley hops on board the cycle and the two go to another spectacular penthouse, cocks already out of their matching jeans and black tank tops accented against the white sunny glare of the floor-to-ceiling windows. Dominique is on his knees after a lush kissing session, taking in Phil's hot boner as the camera moves up a spiral staircase, framing the sex session against the streets below. Phil shoots a load on Dominique's face as his partner wets the rug with his own load. Then Dominique turns Phil around for a rimming session, jeans and tank tops still on, then waits as Phil lifts his leg up to a wooden panel on the window, slips between Phil's legs and goes to work on both the cock and the butthole.
Soon, Phil needs some oral pleasure of his own and drops down to sample Dominique's beautiful sharply upturned hardon, which wiggles and shakes with every kiss and lick Phil brings to it -- when he's not sucking it tenderly. These two are sensational together, and it's especially exciting to see Dominique more fully engaged that he was in the previous movie. Still, he's a grand top, as he proves when Phil sits on his boner and rocks -- still up against the window -- flipping his own substantial cock as he rides the cyclist. These two resemble each other greatly -- but they play off each other beautifully. Phil's look of ecstasy while he's riding as Dominique encourages him to cum in a rising cadence of filthy French, ends in an over-the-shoulder kiss.
But they're not done. Now completely naked (except for boots), the two make love on a couch -- Phil rimming and sucking Dominique from behind, then ramming him doggy before the two move to the bedroom where, against a background of white curtains and sheets, they make love to end the most satisfying scene in the movie. They begin with a sweet, but forceful, 69 session, with Dominique paying particular attention to Phil's pucker while Phil partakes of Dominique's pecker. Then Phil sits on his new boyfriend's cock face-to-face and rides it to a spectacular spurting climax all over Dominique's abs and chest. They kiss and nuzzle as the movie ends.
"Montréal Men" is not as wild and uninhibited as "Call of the Wild," but it stands on its own as a movie, which has rarely been duplicated for combining the look of trade with the passion of good sex. It serves to point out that Kristen Bjorn is a master at everything he touches, and highlights the exceptional talents of several men -- Phil Bradley, Dominique Casier and Luc Cote -- spectacularly. As with the other DVD, this one has slide show with a voiceover from Bjorn, which is informative, extremely interesting, and very entertaining.
A DVD Review by Bo Champion