In "Temptation of the Gypsies: Part 2: Ranch Hand Raunch," almost everything, including the cast, changes. Gone are the colorful, silky gypsy costumes, replaced by riding pants boots. The men play the entire production shirtless, and some of the opening footage, of them riding on horseback, their ample pecs glowing in the sun, are breathtaking. So, too, is the sex, from start to finish. The two studs who seem to be in charge of the horse farm are Eric Raymond and Joshua Rogers, and they rule the place with both their barked orders and their stiff dicks. Throughout, a lot of the members of the cast show their proficiency with horsewhips, although they don't use them on each other.
The first sex scene is beautifully photographed and performed, by Joshua, muscle bottom Fred Goldsmith, Adriano Lazzari, and Clayton Romero. One of the most intense aspects to this scene is that, even when the four are paired off, with Fred taking Clay's long, thick cock and Adriano and Joshua in the 69 position, they never seem to watch what the others are doing, using the visual of the others to heighten their enjoyment of the sex. Goldsmith, a power bottom if there ever was one, also takes on Joshua and Adriano before the scene ends, and his performance is definitely the highlight. Near the end, Goldsmith is butt up for Adriano's cock doggy-style as he takes turns sucking Joshua and Clay. A muscle man who is a true cockhound -- gotta love it.
In the next scene, cute, well-endowed Shane Rage, another hunky muscle bottom, Raul Matthews, and Clay Robson make for a very nice three-way pairing in an outdoor scene that has Raul getting a rare, for director Borbély, rim that had me drooling. Raul's round, tight ass is completely eaten out by Shane, as Raul sucks Clay. Raul then gets his nicely-prepared ass completely fucked over by the other two men, and he seems to love every minute of their attentions. Raul and Shane stand to deliver their cum-shots, as Clay watches, lying below them. Shane shoots first, letting fly a huge load, followed by Clay, whose load lands on his six-pack, dripping off as Raul explodes.
A sizzling three-way between handsome Jack Laurel, Rick Perry, and Lucio Maverick erupts as the three complain about their work. A rustic setting, complete with huge bales of hay, provides the backdrop, in which Rick gets things off to a roaring start by mouthing Jack's ass and Lucio's huge dick in turn. It's good to see that Borbély has started to include rimming scenes in his work, because they were a sorely missed previously. Jack is the bottom, dividing his time between Rick and Lucio's erections equally, and Jack makes his ass the center of attention throughout. First, he sits on the two top men one at a time, bouncing and riding their hard cocks. Then Jack gets it missionary from Rick and Lucio, and the scene ends with Jack mouthing the two stud's dicks until they blow their loads all over him.
Eric and Joshua, the blond studs who are the supervisors of the horse ranch, slip off to enjoy each other's charms in the finale, finding a quiet spot to give each other head. Eric then totally eats out Joshua's upturned ass, followed by cum-shots from both.
This scene then develops into a three-way with Ted Colunga, who in "Temptation of the Gypsies 2: Ranch Hand Raunch" plays a "stable guy" that the two have had their eyes on. Ted, as usual, shows that he is a bottom to be reckoned with (and one that may very well be the best-hung stud in the entire cast). First, though, Joshua and Eric take turns sucking on Ted's huge cock. The scene transitions into a campfire make-out that ends with a blazing bonfire serving as the background for the even hotter action. Ted, Eric and Joshua start things off with a round-robin suck session, followed by Ted getting his delectable ass eaten out by Joshua. Then Joshua and Eric fuck Ted's ass in tandem, hardly giving the hunk time to catch his breath from one dick to the other. In a beautifully shot finale, all three perch on wooden stumps, and, the fire still burning behind them, shoot off one by one, ending the production.
A Video Review by Martin Cox
As noted in the previous review, director Csaba Borbeley's latest entry in his Temptation series is a two-parter, and the second half, entitled Temptation of the Gypsies 2: Ranch House Raunch, is vastly superior to the first.
Part 2 is set on a ranch run by a pair of blond, bare-chested, hard-nosed Viking types who rule their staff with an iron hand and matching bullwhips. They are played by Eric Raymond (who used to work under the name of Tibor Dobo) and Joshua Rogers (who is billed as Garcia Udulo when working for High Octane). They are first seen riding in a chariot, latter-day gladiators, but soon the action shifts to a trio of hired hands, one more handsome than the next, as Rodgers joins them. The group includes Adriano Lazzari (who made such an impression in Temptation on the Force 2), Clayton Romero (a slim, stone-faced top man) and Fred Goldsmith (that ubiquitously dependable bottom).
In a picturesque gazebo, they form a tower of flesh, each sucking the man above him before shifting into pairs on the meadow nearby. Romero fucks Goldsmith's ever-available ass while Rodgers and Lazzari 69, and all make searing eye contact with and show unusual consideration for one another. Rodgers is next to penetrate Goldsmith's rosebud while Romero gets head from his buddy, and the sequence ends with Lazzari in the saddle doggie-style as Goldsmith services the other two. The action throughout seems both real and heated, although it is repeatedly undermined by quick dissolves from tableau to tableau, which remind us again and again that these are moments from a film shoot, not the illusion of an actual sexual experience. In spite of these distractions, however, the scene builds nicely to a quartet of terrific money shots and a quick fadeout.
Next, three other stable hands take a break from their work and head out to the corral. Sean Rage (another dazzler from Temptation on the Force 2, his mane of unruly hair now nicely trimmed) makes the first move by casually sliding his hand onto the solid butt of that stocky bottom Raul Mathews as Clay Robson, another striking, well-hung newcomer, watches. Again, a quick, jarring cut bounces the scene into the explicit action. Mathews is already bent over, gobbling Robson's mouthful of meat while Rage kneels behind him to eat out his ass. (The close-up coverage of this rim-job is as hot as the noonday sun beating down on them.) All three seem to be more anally than orally inclined, though -- Mathews is the only one to suck cock in the scene -- and in no time, another quick dissolve lurches the viewer into the fucking.
Both Rage and Robson are enthusiastic top men, taking turns plowing into Mathews at both ends in three different positions. The most exuberant of the three, Rage especially seems to delight in the forceful thrusts he jabs into Mathews' accommodating hole; Robson is a more methodical fucker, as if savoring every sensation along the way. Finally, as if on cue, Mathews and Rage stand over the supine Robson to head into the homestretch at a brisk clip. Groaning loudly, Rage is the first to hammer off great globs of cum. A moment later, Robson sends streamers flying all over his abs, and Mathews brings the session to its conclusion with a double-time splatter shot.
The third sequence features three of Borbely's most enduring stars, Rick Perry, Clay Maverick and Jack Laurel. Although all three have been seen many times before, each seems to bring a fresh enthusiasm to every scene in which he appears, and this one's a triple-crown winner. As is too often the case in Borbely's films, however, the set-up (the trio bitching about their working conditions) cuts awkwardly to the sex. Against a backdrop of hay bales, Perry is suddenly seen dividing his oral skills between Laurel's upended ass and Maverick's impressive erection. In the next tableau, it is Maverick's turn to alternate his mouth action between Laurel's pink crater of a hole and Perry's ever-rigid hard-on. (Both Perry and Maverick have recently developed into blue-ribbon ass-eaters.)
Both Perry and Maverick are inventive, energetic tops, and Laurel is a consummate bottom, so the ensuing anal action simply sizzles. The two top men lie flat on their backs on the ground, crotch-to-crotch, as Laurel skewers himself on one and then the other, effortlessly slipping back and forth from one towering hard-on to the other. After both take turns fucking the lanky Laurel missionary, the scene ends with Laurel servicing both of them as they stand above him kissing. Both Perry and Maverick seem to know that kissing is more than tongue-fluttering, and they create the illusion of being truly turned on to each other. Finally, the money shots, all over Laurel, are fittingly copious.
Ranch House Raunch concludes with an all-oral duet between Raymond and Rodgers that segues smoothly into a three-way in which they are joined by Ted Colunga (aka Fred Fele) -- sort of a finaletto that becomes a finale. With their bullwhips around their necks, the two blond demi-gods stroll off into the woods to hurl into a passionate clinch that soon escalates into feverish courses of cocksucking and a dessert of ass-eating by Raymond. (He, too, is an analinguist of high pedigree.) After their first set of pop shots, however, neither is sated, and they set off, at Rodgers's suggestion, to "fuck the stable guy."
Colunga, the "stable guy," is as perfect a piece of horse flesh as one could imagine -- a dark, sultry, broad-shouldered butch bottom whose thick dick is already tenting his trousers even before Raymond and Rodgers kneel to pull the monster out and share it. Their suck-and-kiss session beside a blazing campfire is superbly performed and captured, as are the other oral variations: Raymond servicing the supine Colunga as Rodgers does a push-ups fuck into Colunga's mouth and then rimming him as Rodgers shifts to devour his blond buddy. The fucking -- mostly Borbely's trademark switching off as the two tops take turns on Colunga's granite ass (here, more than a dozen times) -- soon becomes tedious, and the pop shots are not as abundant as one might hope for, but all three men seem very much in the moment, and the scene works in spite of its flaws.
In Temptation of the Gypsies 2, director Borbely is greatly abetted by a cast of thoroughbreds that clearly outclasses that assembled for the first part. In fact, the two productions should not even be linked under the same umbrella title, for there is not a gypsy in sight during the entire two hours of the broiling Ranch House Raunch. It might better have been called Temptation of the Horse-Hung Horse Trainers.
- Jerry Douglas
