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Gay Erotic Video Index
WARNING!
This site offers sexually explicit
adult content. Images and text contained on this site are adult in
nature, depicting sexuality that may, by some, be considered
objectionable and that may
not be viewed by anyone under the age of majority.
On a blue bed with a blue pillow, without a headboard, up against a white wall with windows with white venetian blinds, next to a tall green plant with big leaves, Rhythm (blue t-shirt) sucks Carmello (white headband, big tattoo on left deltoid, line of tattooing down right upper arm, left marijuana leaf wristband); Carmello sucks Rhythm; Carmello rims and tops Rhythm.
In a room with red doors, on a black mat on a brown hardwood floor, Jay Scorpio ("SCORPIO" tattoo across shoulders, cross tattoo on right upper arm, stubble) sucks Kaj Redd (white boxers, lean, muscular, right wrist bracelets); Jay tops Kaj from the rear, sideway, and missionary style.
On a black bed with a purple, a red, and an orange pillow, no headboard, against a white wall, next to a tall green plant and a black radiator, Prince (light brown, white singlet, left yellow wristband) sucks Peanut (dark brown, neck chain); Peanut rims and tops Prince leaning over and lying on his back.
In a store room, next to stacks of metal shelves and a metal table with a blue pad, T. Malone (light brown, mustache) sucks Tank (red briefs, blue baseball cap backwards, clean shaven); Tank tops T. Malone leaning over the table and then in missionary position.
On a long couch covered with a loose blue cloth, with blue pillows, against a blue wall, behind a low brown wood table, Remy Mars and Paris are having drinks; Remy Mars (small, white t-shirt, almost shaved head, large goatee) sucks Paris (bigger, muscles, short hair, tattoos around right wrist, tattoo on right side of neck); Paris tops Remy from behind and in missionary position; Remy rides on Paris.
Note: All names credited on this website, whether for
performance or production should be considered fictional stage names.
Any resemblance to actual persons, living, dead or otherwise, is
purely coincidental.