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Gay Erotic Video Index
WARNING!
This site offers sexually explicit
adult content. Images and text contained on this site are adult in
nature, depicting sexuality that may, by some, be considered
objectionable and that may
not be viewed by anyone under the age of majority.
When a benevolent fairy (Farrah Moan) grants Beaux Banks, Johnny Rapid and Jake Porter their wish to become beautiful women for a day, they waste no time getting down to business seducing straight men. Beaux Banks sets his sights on the ripped, tattooed William Seed, tempting him with his magically altered body. When the slim, brown-eyed Beaux changes back to a man, William realizes he can't resist shoving his huge cock into Beaux's mouth and ass. The beefcake king ferociously jack-hammers both of Beaux's holes while Beaux begs him not to stop.
Jake Porter is making the most of the stunning new body that his tricky fairy godmother (Farrah Moan) has given him, seducing the hunky straight pool cleaner Pierce Paris. Farrah isn't going to let Jake get what he wants without a fight though, transforming him from a woman back to a man at the most inconvenient times. When Pierce looks down at what he thinks is a sloppy blowjob from Alexis Fawx and sees Jake looking up at him he panics! Jake's throat game is just too strong for Pierce to stop and soon he's pounding Jake's mouth and ass as hard and deep as the blue-eyed hunk can take!
In the final installment of Girls Night, Johnny Rapid makes the most of his time in Abella Danger's smoking body by bringing home matching muscle hunks JJ Knight and Damien Stone. Unfortunately for Johnny, Farrah Moan's reign of terror rages on. After playfully tormenting JJ and Damien, Farrah turns Johnny back into a boy just in time for both of his guests to plant a big kiss on his cock. JJ and Damien decide to forgive Johnny for tricking them and make amends the only way they know how, with a punishing double penetration and dueling volcanic cum shots across Johnny's tight ass.
Note: All names credited on this website, whether for
performance or production should be considered fictional stage names.
Any resemblance to actual persons, living, dead or otherwise, is
purely coincidental.