Boris Tomek is the luckiest man in Europe. And I'll let you know why at the end of this review. Director Jan Novak builds this flick around Ladislav Pekar, whose only three major roles so far have been devastatingly effective in showcasing this beautifully chiseled, exquisitely handsome man as one who can seduce model and viewer alike with one simple look. With soft, light brown fur on his pecs and abdomen, and a hooded cock filled with cum, veiny and thick as a Czech sausage poached in butter and Pilsner beer, he dominates every scene in this movie, even though he's only on display sexually in two. And even though he is not as animalistic, or even as romantic, in either of those scenes as he was in "Winning Ways," "Meltdown" and "Good and Bad," with one exception, he runs rings around his co-stars in demonstrating how men in Eastern Europe should fuck with each other.
Ladislav has come to an inn to paint the countryside and the men who wander through it. He's a regular Monet, he is, brimmed hat sitting cockily on his sandy blond hair, loose shirt and slacks helping accent that perfect swagger of his wherever he appears. He wakes one morning and gazes out into the courtyard, where we get a look at two farmhands, the adorable Riky Mark and the handsome Jens Damm (on the cover with Ladislav). They exit the house for a day in the fields, kiss each other good morning, and comment on the new guest, which each of them acknowledges would be a good fuck. The guy who drives the tractor they take off in is Boris Tomek, and you say to yourself, "I know this gorgeous hunk ... who is he?" But the three disappear and we are left at the lake, where Ladislav is at an easel, stroking away. Two friends come to swim and ogle at the painter. These are the compact, black-haired beauty Bruno Jorgov, and the sexy beast with the best tight little butt in Europe, Josef Sladek. They hop into the water naked, emerge with raging hardons, eyes peeled on Ladislav all the way, pull on their briefs, and disappear. Wandering past Ladislav are two hikers, the exotic Alan Anthony and the Sladek look-alike Michal Vlk. They, too, spend time ogling the painter. Except for one model, Novak has therefore introduced the entire cast in about three minutes, and your tongue is already on the floor.
We are in a glen and Alan Anthony and Michal Vlk set up their tent. They're hungry, but each is mostly looking for cock. They eat each other tastefully, first Alan dipping down to sample Michal's stiffy, and then they segue into a top-bottom 69. This is a casual, relaxed oral session which ends with each man blowing a good load from his uncut cock, but it's just a sample. Michal goes for a walk, and along comes the only guy who wasn't introduced earlier, David Merkl, a blond who looks like he stepped out of any Princeton or Yale yearbook from 1940 through 1970. This quintessential WASP-ish look fits nicely on a swimmer's body, which Alan eats up with his eyes when David approaches his tent. They exchange come-ons, and Alan pulls David's wang out of his shorts and chomps down hungrily. This is an enthusiastic blowjob which you think has closed the scene when both guys cum in gushes. But Novak is not finished. He wants to show off all these guys as best he can (most of them are totally new, even to this reviewer, who has a gigabyte full of Czech boys on his computer). We see the taut David on his knees next, with Alan's thick, curved cock pummeling his ass. This is a long fuck, and includes a switch to missionary-style before both guys cum again. Nice interlude for Alan after sucking his boyfriend; nice break for David on his walk in the woods.
Back at the farmhouse, our two farm workers, Jens and Riky, are back from the fields, and ready to go at each other. Clothed in sport shirts and shorts, they tear into each other outside the barn on a bench with kisses and gropes, with the curly-haired Riky getting the first taste of cock -- and a nice, fat one between Jens' legs it turns out to be. Jens eats his way through Riky's shorts and lays his naked lover back on the bench for a massive blowjob. Both guys cum in thick white gobs (the cum in this movie is delicious enough to lick off the screen), and then Riky offers his adorable muscle butt to Jens, doggy-style, over the bench. Midway through their fuck, who should walk into the courtyard but Ladislav, who strips down immediately and shoves his boner into Riky's eager throat. Here we see what this man is made of -- what a cock, man, this thing is sculptured and chiseled like a lava log and has a mind of its own with every lick and suck it gets. Soon Jens needs some of it, too, and the boys give Ladislav a monster double-blowjob, licking on either side, taking his head alternately -- as good as you'll see Czech boys, who are notorious "tipsters," give. Then Jens offers his butt up missionary-style to Ladislav, while Riky stuffs his meat into his boyfriend's mouth. The pounding and sucking is incessant, and all three cum in waterfalls. Ladislav, who has one of the widest spreading, and clearest, bursts of cum on the screen, covers both of them, but most especially douses Jens' chest with his goo.
Our next couple sneaks into the compound to check out an old tractor. They are Josef Sladek and Bruno Jorgov, who titillated us, and Ladislav, in the opening swim scene with their enormous hardons. Here they quickly get bored when the tractor won't start, and decide to start in on each other. Josef is one of the true beauties of Czech porn cinema. He has the finest, tightest ass in the land, an exceptionally intriguing face with beautiful, narrow eyes, and a wonderful way with a cock. He's not in every film that comes down the pike, mostly works with Novak, and he always makes a smashing impression ("Sextrap," "Payload" and "Winning Ways"). Bruno is a power pack of muscle and cock -- diminutive, black-haired, somewhat of a Rick Thomas resemblance (of New Jersey porn director Robert Prion fame). This guy has a cock that seems as long as his chest, and Josef, who does often get to the bottom of a pole, has a hard time swallowing this one as Bruno sits back on the seat after an opening duet of wet kissing and enjoys the service. Not to be outdone, Bruno takes more than a few swipes at Josef's beautiful pole, and they both wind up blasting loads all over each other in their hasty excitement. But, they're not done yet. In a very good edit, Bruno appears to rise from his seat and plunge right into Josef's hole, doggy-style. It's a great fuck, one which is helped by Josef's obvious love of bottoming, and soon Bruno takes up the challenge from Josef who takes him missionary-style on the tractor seat. This is the hottest duo in the movie. They seem to have decided that they were going to let it roll, and with Josef Sladek, there is never enough sex, and his partners never can get enough of him. Two more substantial gushers and tender kissing close the scene.
Now, Ladislav is alone in his room, and his attention turns to the guy who drives the tractor, the one whom I said looked familiar early on. Turns out it's the landlord, and it also turns out that Ladislav wants to fuck him bad, but is somewhat reluctant to approach him, so he goes to bed and falls into a sexually-repressed dream. Yeah, right? Into the room comes his landlord, Boris Tomek, and the bells, whistles and lights go off immediately. This is the model also known as Bebe in the William Higgins masterpiece, "The Jan Dvorak Story," in which he played the bike messenger who got fucked royally by the second handsomest man in Europe, Jan Dvorak (a.k.a. Pavel Novotny, and Max Orloff). Waiting on the bed for this splendidly muscled, close-cropped, bulging-assed god is the handsomest man in Europe, Ladislav. Gentlemen, how would you like to be Mr. Tomek, and be fucked by these two gods in the same year?
But first, some romance. Boris climbs into Ladislav's bed and goes under the covers, his head bobbing up and down, the camera following him under the quilt where he's got hold of Ladislav's pole and is giving it some mighty head. Ladislav, who wears this statement of feigned surprise, pulls the covers back and spreads his legs, the better for Boris to eat his prize, before the muscle hunk works his tongue up the artist's body to his neck and his lips. They kiss, tentatively, tickling each other, and then more passionately, and Ladislav pushes Boris back on the bed and dives for his cock. Boris' cock is hard and curves upward, it's average in length, but against that body and beautiful face, it's perfect, and it's nestled in a heavy bush of black hair that adds to this man's extraordinary appeal. But what is so special about him is that for a natural looking top, he appears to enjoy taking cock up the ass. And what a perfect ass to penetrate. It's round, firm and fully packed, to paraphrase an old cigarette commercial, and after a tasty period of sucking Boris' cute cock, Ladislav takes full advantage of that ass missionary- and scissor-style as the two writhe in joy on the bed. When they cum, it's like a leak in the roof has burst, and by the way they collapse in each other's arms, it looks as though neither of them have the energy, or will, to repair the hole.
Of course, it was all a dream for Ladislav, but that's the charm of the movie, and charm is a hallmark of Jan Novak's best work. He is fortunate to have Ladislav Pekar as an exclusive, for this is unquestionably the best actor in Eastern European porn (and maybe porn, period). He moves with ease, he signals everything he wants with a cock of the eyebrow, a twist of a corner of the lip, or a growing bulge in his pants. In four quick movies he has perhaps surpassed Lukas Ridgeston as the most charismatic hunk to come out of Czech films, and maybe Europe. That he manages to worm his way up Boris Tomek's ass, without displaying the overwhelming passion he showed in "Winning Ways," or match the exceptional blowjob he gave in "Meltdown," is probably a reflection of what appeared to be the genuine awe on his face toward Boris' sensational body, and face. Of course, it could just have been good acting. One look at the way his cock reacts in that scene, however, will tell you that this is no act. This guy loves what he's doing. And so will you.
The DVD version of this video is spectacularly enhanced by the usual features, including chapter selection and cast bios. There is a terrific photo gallery of captures of the best action from each of the scenes and some very amusing behind the scenes stuff in the bloopers section, including a wonderfully adoring segment featuring Ladislav picking his jean-covered butt, as well as suffering through a sneezing attack in the woods. Just more for you to drool over.
A DVD Review by Bo Champion
Shot entirely on a 19th century farm in the Czech Republic, you'll definitely be stroking (and not just to seduction) when you check out the youthful Eurostuds going at each other like rutting barnyard beasts.
Like a chef tempting us with a peek at the scrumptious main course, Novak gives us a glimpse of star Ladislav Pekar as he prepares for a day of painting by a picturesque river. We also get a look out his loft window into the courtyard below, where two hunky, young farm hands are getting ready for their day of hard labor.
But before we get to their meat and potatoes, Novak serves us a very tasty appetizer: Two guys set up camp near where Pekar is painting, and before long, cocks are buried deep in throats. One gets to a speedy climax, and his suckmate follows suit. One of the pair goes for a walk, and another guy wanders by the campsite and gets a blow job that definitely makes him a happy wanderer. They both pop big loads but still aren't satisfied. The horny visitor gets his butt plowed against the backdrop of the fallow field, and they each shoot another round of seed.
The flannel-shirted farm boys get busy back in the courtyard. They grope each other like ripe fruit and kiss and suck with boyish zeal. They get off good, hearty loads but are still hard and horny, so they start fucking. Pekar returns from painting to find the two guys going at it and doesn't wait for an invitation to join in.
Pekar's pecker is a veiny, skin-on stunner that should be immortalized as a dildo so the horny public can appreciate it up close (and up the butt) and personal. The farm hands can't wait to get their hands on Pekar's perfect poker. They chow down on it, and we're treated to some great shots of Pekar's cock getting sucked by two hungry mouths. They get into a variety of three-way positions with Pekar always topping and the other two more versatile. The farm boys both launch big loads, but Pekar lets a jizz rocket fly that is especially impressive in force and volume.
Two would-be thieves look like they've come to steal a tractor sitting in the courtyard, but they end up just cumming and cumming and cumming some more. They suck and fuck and go at it every possible way. In the process, they each blow three big loads.
It's hard to top the succession of suck-and-fuck sessions in the prior two scenes, but Pekar puts his pole to work on another muscular young man in a splooge-fest that brings the flick to a close. Novak and the folks at Studio 2000 International should be very proud of this fucktastic film. Strokes to Seduction, with its fresh-faced and insatiable cast, is a total stroke-athon for viewers.
- Rod Pierce